Likewise, the main LCD - a 3-inch panel with 1.62 millions dots - is good enough, but it's fixed in place. That's not something I do often, but even so, I found the EVF useful for navigating menus and viewing photos when shooting at night (i.e., when I didn't want the LCD on the back lighting my face like a Christmas tree). As explained, it's great for shooting with telephoto lenses. It's definitely solid, and it provides some vital flexibility to make up for the optical view's shortcomings. At 0.48 inches and 2.36 million dots, it's bested by cheaper cameras from other companies and even Fujifilm itself. The regular EVF is nothing to write home about. Because of this, when shooting with a zoom lens I ended up flicking the lever on the front of the X-Pro2 and turning the optical viewfinder into a full-blown EVF. With a telephoto, though, you're going to feel limited, because the boxed-in area will be tiny. The setup is a modern-day take on the rangefinding concept - using two separate image guides to take a single photo - and I relied on it fairly often when using my favorite Fujinon lens (a 35mm f/1.4). This can either show you the whole frame (like you'd see on a regular EVF) or a tight crop of what you're focusing on. The limitations of an optical viewfinder - namely, not being able to see what you're focusing on - are mitigated by a tiny electronic viewfinder that sits in the corner of the optical window. Looking through the viewfinder, you see guidelines showing you framing, and an EVF preview of your finished shot in the corner. This is customizable, but I have it set to show shutter speed, aperture, ISO, exposure and battery. Above and below this view you'll find the usual information you'd expect from a viewfinder. For a more practical example: If you have a zoom lens, this box changes sizes depending on what focal length you've chosen. Rather than showing you what your lens is seeing and its focus, you'll instead have a white box indicating the area your lens will cover. In optical mode, it gives you a wide field of view and projects more information on top of it. Like the X-Pro1, and the X100T that sold me on Fujifilm in the first place, the X-Pro2 has a hybrid viewfinder that takes the best aspects of optical rangefinders and electronic viewfinders and mashes them into a single unit positioned in the top-left corner of the camera. None of these cameras are directly comparable to the X-Pro2, though, and that's because of Fujifilm's unique viewfinder. It's $1,700, which puts it in the same price range as Nikon's and Canon's ultra-high-end APS-C DSLRs like the 7D and D500, or, closer to home, Sony's superb full-frame mirrorless A7 II. The company's X-T10 and X-T1 fill that niche, and the X-Pro2 is closer in shape to the Nikon SP and Leica M3 rangefinders popular in the '50s and '60s. The X-Pro2 is also not a DSLR replacement. At 445g (0.98 pounds), it's only 10g (a third of an ounce) lighter than the D3100 I tossed aside four years ago. The X-Pro2 is not a compact mirrorless camera. So I waited.īut before we really get into what the X-Pro2 is, let's quickly cover what it's not. The problem was, rumors suggested that a sequel, the X-Pro2, was just around the corner. I decided on an X-Pro1 - despite a colleague advising me against it - because it had the same viewfinder tech as the X100T I'd fallen in love with. #Fuji xpro 2 used upgradeAll that was left to do was upgrade from the entry-level body to a model that did everything I wanted it to. #Fuji xpro 2 used trialWithin weeks I'd thrown my Sony in a drawer and bought an entry-level X-M1 and a pair of lenses to give Fujifilm a shot.Īfter an extremely successful trial run at CES 2015, I was convinced. It wasn't until an old colleague of mine showed me the Fujifilm X100T, a compact camera with a 35mm-equivalent fixed lens and an innovative viewfinder that's both electronic and optical, that I knew what I wanted. I then tried out a mirrorless Sony camera, but Sony's lens selection at the time was pitiful if you weren't willing to spend big money. Three years, three Nikons (I upgraded twice) and three additional lenses (35mm, 40mm and 50mm fixed) later, I was tired of lugging around a giant camera, and even more tired of the small selection of good lenses available in my price range. My first came in 2009, a slightly battered old Nikon D40. I've only really been taking cameras seriously for seven years. To understand why, you need to know a little about me. #Fuji xpro 2 used seriesI've been looking forward to the X-Pro2, Fujifilm's flagship mirrorless camera, ever since switching over to the X Series 18 months ago.
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